Native Instruments announces KOMPLETE 10 and KOMPLETE 10 ULTIMATE

NI_Komplete_10_UltimateBerlin, September 2, 2014 – Native Instruments today announced the next generation of their industry-standard production suites. KOMPLETE 10 and KOMPLETE 10 ULTIMATE come with six brand-new instruments – ROUNDS, KONTOUR, POLYPLEX, and the three new sampled pianos that comprise THE DEFINITIVE PIANO COLLECTION. KOMPLETE 10 now includes 39 instruments and effects. KOMPLETE 10 ULTIMATE includes all 75 current KOMPLETE Instruments and Effects at the time of release and over 440 GB of content. Notably, the prices of these bundles remain the same, increasing the saving to almost 90% over the cost of purchasing the instruments and effects separately.

Both KOMPLETE 10 and KOMPLETE 10 ULTIMATE debut the brand-new ROUNDS, KONTOUR, and POLYPLEX. ROUNDS combines powerful sound design capabilities with advanced sequencing techniques, allowing users to play melodies, chords, and arpeggios while sequencing and morphing sounds in real time. KONTOUR is the latest synthesizer from NI founder Stephan Schmitt – an extremely responsive synth capable of organic textures from mallets to plucked and bowed strings to distorted, aggressive and noisy sounds. POLYPLEX delivers an intuitive, fun way to design drum kits. Up to four samples per sound slot are randomized on the global, sound or sample level. A host of effects including dynamics, reverb, glitch, and more are also on board for additional sound shaping.

Also included in both KOMPLETE 10 and KOMPLETE 10 ULTIMATE is THE DEFINITIVE PIANO COLLECTION – three new high-definition pianos offering unprecedented detail, and a varied and nuanced sonic range. THE GENTLEMAN is a sampled instrument based on an upright piano from 1908. Sampled with all the original parts, the instrument’s delicate and expressive sound gives producers distinctive, turn-of-the-century character with a supreme level of control for their recordings. THE GRANDEUR is a detailed sampled instrument of a beloved concert grand piano. Its bright, silky top end and booming, full bass are equally suited to a variety of styles including mainstream pop, jazz, and classical productions. THE MAVERICK is a recreation of a sonically singular instrument – a 1905 concert grand made for the Prince of Prussia. THE MAVERICK delivers a wide range of color and an unconventional sound where each note is full of character. These three pianos are also available for purchase separately or as a specially-priced bundle.

KOMPLETE 10 and KOMPLETE 10 ULTIMATE also ship with the KOMPLETE KONTROL software. This allows users to browse all KOMPLETE Instrument sounds from one interface, accelerating workflow and providing a clear overview of all related sounds tag-based simplicity. KOMPLETE KONTROL also allows producers to access key functionality directly from the new KOMPLETE KONTROL S-Series keyboards. Registered users of KOMPLETE 9 and KOMPLETE 9 ULTIMATE will receive a free download for the KOMPLETE KONTROL software, giving them the same functionality on KOMPLETE KONTROL S-Series keyboards as KOMPLETE 10 and KOMPLETE 10 ULTIMATE users.

Along with these brand-new instruments, each bundle comes with several new additions released since KOMPLETE 9. KOMPLETE 10 now features 39 products, over 12,000 sounds, and over 130 GB of instruments and effects, including DRUM LAB, SESSION HORNS, and SUPERCHARGER. KOMPLETE 10 ULTIMATE delivers 75 products, over 17,000 sounds, and over 440 GB of instruments and effects, such as ACTION STRIKES, MOLEKULAR, and RISE & HIT – all stored on a USB hard drive for convenient installation. Both bundles also feature best-selling KOMPLETE Instruments and Effects such as the award-winning KONTAKT 5, GUITAR RIG 5 PRO, and NI’s flagship modular synthesizer REAKTOR 5. MASSIVE, FM8, and ABSYNTH 5 cover the complete spectrum of synthesis for any production task.

KOMPLETE 10 and KOMPLETE 10 ULTIMATE will be released online and in retailers October 1, 2014. KOMPLETE 10 costs $499 / 499 €. KOMPLETE 10 ULTIMATE costs $999 / 999 €. Special pricing for KOMPLETE 10 and KOMPLETE 10 ULTIMATE upgrade, update, and crossgrades, as well as preorder are also available.

Additional information on the 10th generation of KOMPLETE Instrument and Effect suites is available at:
www.native-instruments.com/komplete

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Native Instruments announces KOMPLETE KONTROL S-Series keyboards

NI_Komplete_Kontrol_S-SeriesBerlin, September 2, 2014 – Native Instruments today announced the KOMPLETE KONTROL S-Series keyboards. The keyboards represent a hallmark in the history of Native Instruments, providing advanced innovations in hardware/software integration and uniting the KOMPLETE Instrument portfolio under one purpose-built keyboard controller and software interface. KOMPLETE KONTROL S-Series keyboards are available in a choice of 25, 49 or 61 keys and come equipped with premium Fatar keybeds for a luxurious playing experience. They will be available online and at retailers worldwideOctober 1, 2014.

Daniel Haver, CEO of Native Instruments, comments: “In the last two decades our software instruments have shaped and defined diverse musical styles and genres. The KOMPLETE KONTROL S-Series keyboards finally bring our original vision to life, and elevate the experience of sounds to a whole new level. Only now the diversity of all KOMPLETE instruments and sounds becomes truly accessible in a single instrument, in ways that no controller or keyboard ever did before.”

The KOMPLETE KONTROL S-Series keyboards signal a new era of control for the KOMPLETE Instrument portfolio. The all-new KOMPLETE Browser™ unifies the powerful instruments in KOMPLETE, delivering tag-based access to all KOMPLETE Instrument presets from one plug-in interface. Instead of browsing by instrument, users can now search by sound, opening the breadth of the KOMPLETE Instrument range faster and easier than ever before.



Native Map™ technology automatically maps all key parameters for each KOMPLETE Instrument to the touch-sensitive controller knobs – all clearly visible on the keyboards’ Clear View™ display. Each instrument was carefully mapped by NI sound designers to arrange the most relevant parameters on pages laid out on the keyboard’s display. The need for complicated mapping is eliminated, bringing producers closer to the act of creating music and allowing them to stay in the creative flow.

A first-of-its-kind Light Guide™ shows key switches, zones, and more on multi-color LEDs positioned just above the keys. For example, key switches for KONTAKT Instruments such as ACTION STRIKES are illuminated in one color, while keys used for performance are lit with another. This puts the instrument’s layout on the keyboard at a glance without having to look at the software. The lights also provide performance feedback – scales, chords, and arpeggios light up across the keyboard as they are played.

KOMPLETE KONTROL S-Series keyboards also deliver Smart Play™ features to accelerate workflow and stimulate new ideas. Chord mode lets producers play complex chords with single keys. Chord Set mode provides ready-to-play progressions that can inspire and augment original compositions or add new flavor to remixes. The integrated scale mapping features deliver fast access to new melodic possibilities – notes of the currently selected scale light up on the Light Guide. Many widely-used musical scales can also be mapped to the white keys. ‘Wrong’ notes can be automatically re-mapped so melodies are always in tune. The arpeggiator works seamlessly with every KOMPLETE Instrument. And the eight controller knobs manage parameters such as direction, rate, rhythm, patterns, and variations.

Furthermore, two touch-sensitive Touch Kontrols™ tap into a new paradigm in software instrument control. They can mimic the behavior of pitch and mod wheels, and physical objects like springs and bouncing balls for interesting modulation curves – far beyond the capabilities of conventional mod wheels. Keyboard functionality such as key splits and Touch Kontrol behavior also function when using the keyboards as a standard MIDI controller, opening these control innovations to instruments outside the KOMPLETE universe.

KOMPLETE KONTROL S-Series keyboards were designed to integrate seamlessly with the 10th generation of NI’s acclaimed instruments and effects suites, released October 1st, 2014. Registered users of KOMPLETE 9 and KOMPLETE 9 ULTIMATE will receive a free download for the KOMPLETE KONTROL software, giving them the same functionality on KOMPLETE KONTROL S-Series keyboards as KOMPLETE 10 and KOMPLETE 10 ULTIMATE users.

KOMPLETE KONTROL S-Series keyboards are available online and in retailers October 1, 2014. Preorder is also available.

KOMPLETE KONTROL S25 is available for $499 / 499 €. KOMPLETE KONTROL S49 is available for $599 / 599 €. KOMPLETE KONTROL S61 is available for $699 / 699 €.

Additional information on the new KOMPLETE KONTROL S-Series is available at:
www.the-komplete-instrument.com

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Toontrack release EZkeys Mellotoon

mellotoonPerhaps the most unique EZkeys piano to date, Mellotoon is based on the Mellotron keyboard introduced in the early 1960s. This unique instrument was the first of its kind to include samples of real instruments, but as opposed to the modern-day digital sampler, the Mellotron pulled them off a magnetic tape loop that ran inside the keyboard. It came with various sounds for piano, strings, flutes, brass and is likely best described as the first-ever “band in a box”. Naturally, it was a revelation from the get-go. Today, this piece of instrument history is enjoying a massive resurgence in a wide range of genres.

EZkeys Mellotoon captures the essence of this one-of-a-kind keyboard and comes with 15 individual instruments, carefully sampled directly from a model M400 Mellotron using a blend of direct and amped signals. On top of that, it includes a generous selection of custom effect and sound chain presets, giving you a completely new, creative outset to an already seemingly bottomless pool of awe-inspiring sounds.

And of course, Mellotoon incorporates the powerful songwriting features of the EZkeys engine ensuring that your write the songs, not the program. Transpose full MIDI tracks on the fly, add playing styles from other MIDI or use the groundbreaking EZkeys Chord Wheel to customize chord voicing and harmonic color – and much, much more.

EZkeys Mellotoon is available now for £104.99 / €132.00
http://www.timespace.com/product/EZKEYSM-120/3/10000058/toontrack_ezkeys_mellotoon_%28serial_download%29.html

Already own an EZkeys piano? Get Mellotoon for just £54.95 by purchasing the EZkeys Sound Expansion.

Toontrack have also released the EZkeys Keys & Strings MIDI pack which perfectly complements EZkeys Mellotoon.

ezkeysandstringsKeys & Strings EZkeys MIDI was created with the Mellotron, with its rich palette of sounds and music history in mind. However, it works just as well with any instrument in the EZkeys Line. What sets it apart from some of the other packs in the line is that it comes with two separate but related sections in each song, one for keys and one for strings.

EZkeys Keys & Strings is available now for £19.95 / €24.95
http://www.timespace.com/product/EZKM11-120/3/10000058/toontrack_ezkeys_keys_%26_strings_midi_pack_%28serial_download%29.html

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Sample Logic announces CINEMATIC KEYS!

BoxShotAn Unprecedented Collection of Cinematic Keys

CINEMATIC KEYS is a complete collection of 850+ traditional and mutilated Instruments & Multis derived entirely from recordings of keyboard instruments. Weighing in at over 8GBs, CINEMATIC KEYS not only includes amazing, ready-to-play, psycho-acoustic sampled melodic and percussive instruments, but uses these instruments to enter into the morphed world of score-ready hybrid sound design. CINEMATIC KEYS is powered by Kontakt Player. 

The Keys to Cinematic Creativity

Sample Logic has gone above and beyond standard performance and recording techniques to create the instruments included in CINEMATIC KEYS. The library consists of not only Grand and upright pianos, harpsichords, Wurlitzer electric pianos, and toy pianos as standard multi-sampled instruments, but  also  breaks barriers with strummed, plucked, picked, and e-bow techniques, just to name a few. In fact there are many extended techniques recorded on a multitude of instruments. In addition, Sample Logic found ways to manipulate the sound of each of the included instruments to create something truly unique. Using this organic material, they were able to craft the finest dynamic and original acoustic and effectual cinematic sounds possible.

Destroyed to Innovate 

The bread and butter of CINEMATIC KEYS is in the inclusion of a massive collection of samples derived from the destruction of an upright piano and three toy pianos, all recorded in a huge multi-car garage, the result of which was amazing organic acoustic treatments.  These piano instruments were dismantled and destroyed using an assortment of wrecking tools from a sledgehammer, scythe, and machete, to a blowtorch, and way beyond, creating a truly “out of the box” innovative sound.  Putting all of this together results in the transformation of these inspiring sounds into evocative, cinematic instruments ready for all styles of sound production.

Groundbreaking New Interface 

CINEMATIC KEYS represents a major enhancement to Sample Logic’s award-winning Kontakt user interface.  Easily control eight real-time audio effects, displayed in a beautiful tiled interface right from the home screen of every CINEMATIC KEYS instrument. The interface also includes a bypass ArpeggiGator, Triggers with 64 preset effects, and an LFO section to make things wobble!  This is all topped off with the powerful Step Animator engine, first introduced in ARPOLOGY. The Step Animator allows for modern-day sequencing and arpeggiating of sounds over time on a per step basis.

The All-New FX Animator 

Building on the breakthrough Step Animator, Sample Logic has now included an all new FX Animator for all audio effects, allowing them to be modulated and sequenced in real-time, creating infinite new possibilities for creative effecting of sounds. The FX Animator also contains up to 150 unique presets. All effect modulation can be made on a per-step basis, and steps can each have different durations, or be synchronized with the Step Animator, bringing even more awesome power to the Animator system. 

Features include:

  • “Step Animator™” technology for incredible sequencing
  • “FX Animator” for real-time effect automation
  • “Triggers” – 48 unique effect chains
  • “LFO” section to make things wobble
  • “Wave” – additive synthesis engine
  •  “Multi Script Macros” (knobs & buttons) for real-time sequencing of instrument parameter controls

TECHNICAL SPECIFICATIONS

CINEMATIC KEYS includes nearly 850 instruments & multis and a 8.05 GB compressed sample library using Kontakt’s lossless sample storage compression. All samples are delivered at 44.1kHz/24-bit. 

System Requirements

  • Requires Kontakt 5 Player (Free) or Retail version (sold separately) Version 5.3.1 or higher
  • Mac OS X 10.7, 10.8, or 10.9 (latest update), Intel Core Duo, 2 GB RAM (4GB recommended)
  • Windows 7/8 (latest Service Pack, 32/64 Bit), Intel Core 2 Duo or AMD Athlon 64 X2, 2 GB RAM (4GB recommended)
  • 8.05 GB free disk space for CINEMATIC KEYS sample content
  • 1 GB free disk space for Kontakt 5 Player 

Compatibility

  • Stand-alone
  • VST
  • Audio Units
  • RTAS (Pro Tools 9 + 10); AAX Native (Pro Tools 10); 64-bit AAX plugins (Pro Tools 11)
  • CoreAudio
  • ASIO
  • WASPI

For more info visit:

http://www.samplelogic.com/products/cinematic-keys

 

Pre-order before September 8th for $275

MSRP: $349.99

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ATC launches SCM20ASL Pro (V2) active and SCM20PSL Pro passive reference nearfield monitors

Active Main View Final copyASTON DOWN, GLOUCESTERSHIRE, UK: specialist British loudspeaker drive unit and complete sound reproduction system manufacturer ATC is proud to announce availability of two new high- performance reference nearfield monitors — the active SCM20ASL Pro (V2) and passive SCM20PSL Pro — as of September 1…
As implied by name, the active model replaces the previous-generation SCM20ASL Pro, while the passive model is an all- new affair, providing an entry point into ATC studio monitoring at a lower price point, albeit without compromising component quality over features.

Both models feature ATC’s renowned drive units, hand built in its UK facility. Of particular note is the new SH-25-76S 25mm/ one-inch soft dome tweeter, the first to be designed and built by ATC, and the result of six years of research and development by Managing Director Billy Woodman and R&D Engineer Richard Newman“The tweeter is designed and built with the same no-compromise philosophy as all other ATC drive units,” notes Newman, before continuing: “The design takes notes from the highly-regarded ATC midrange dome by utilising a dual-suspension design, negating the requirement for Ferro-fluid, and avoiding the detrimental effects of this drying out over time, a feature considered to be of utmost importance for longterm consistency.” The massive neodymium motor with heat-treated top plate is optimised to ensure an extended frequency response (-6dB @ 26kHz) and low non-linear distortion. The geometry of the waveguide is designed for optimum dispersion and made from a precision-machined alloy so that the entire structure is extremely rigid and free from resonances.

 
The bass/mid driver used in both loudspeakers is ATC’s proprietary 150mm/six-inch Super Linear device. Constructed with a 75mm/three-inch voice coil and a short-coil, long-gap topology, it combines the high-power handling and low-power compression usually only found in large, high-efficiency systems with the fine resolution and balance of modern high- fidelity systems. Unique to the drive unit is ATC’s Super Linear technology, which, by employing specialist materials in the magnetic circuit, reduces third harmonic distortion in the lower midrange.
 
The electronics in the active design have also had considerable development time invested in them, resulting in reduced noise and distortion (a further -10dB @ 10kHz) and a reduced operating temperature for improved reliability. The amplifier design is a revised version of ATC’s discrete MOSFET Class A/B design with 200W and 50W continuous power available for the bass and high frequency sections, respectively. The user controls have also been improved over the previous generation with more flexible input sensitivity controls and a revised low frequency shelf control to help achieve good balance in difficult acoustic conditions. The amplifier includes protection circuits for both DC offset and thermal overload.
The cabinet has been restyled to more closely follow the larger monitors in ATC’s professional range and is constructed from heavily-braced MDF. Highly damped, elastometric panels are bonded and stapled to the cabinet’s inner walls to suppress cabinet panel resonances, while the enclosure’s front panel is heavily radiused to reduce cabinet diffraction, improving the frequency response and imaging. The loudspeaker can be wall mounted via a K&M 24120 Wall Mount (available separately). Note that the cabinet requires modification to accept the ‘top-hat’ mount.
Ideally suited to critical nearfield listening applications in all control rooms, LCR surround monitoring in small-to-medium control rooms, and surround channels in medium-to-large control rooms, anyone looking to seriously improve their reference nearfield monitoring experience surely owe it to themselves and their studio setup to take a listen to the SCM20ASL Pro (V2) and/or the SCM20PSL Pro in action? EQ, balance, and edit faster, with more consistent results and reduced listening fatigue using the latest reference nearfields from ATC.
The SCM20PSL Pro passive high-performance loudspeakers carry a UK RRP of £2,083.00 GBP (plus VAT) per pair; the SCM20ASL Pro (V2) active high-performance loudspeakers carry a UK RRP of £3,647.00 GBP (plus VAT) per pair. Both are available worldwide from any authorised ATC stockist.
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Mystica Female Chamber Choir

With Mystica, Eduardo Tarilonte continues his incomparable series of vocal-libraries. This classical chamber choir consists of eight extraordinary female vocalists, delivering a unique, enchanting sound without comparison.

Mystica has been designed as a female-choir-library for unconfined solo use. At the same time, the library forms a perfectly matched mixed choir when being combined with Cantus. Therefore, Mystica has been recorded under identical conditions in spanish KBYO Recording Studios, located in Granada, using eight selected Neumann microphones and Avalon preamps.

To ensure perfect team play of both libraries, Mystica offers the same words and wordbuilder as Cantus. In addition, there is a new possibility for quick exchanges of phrases and wordbuilder-settings between the libraries – in both directions. This way, the combination of Mystica and Cantus forms an impressive tool to create overwhelming choir passages.

Mystica unifies realism and inspiration

This unrivaled choir-library allows creation of incredible realistic choir-phrases with ease. Mystica’s powerful and innovative wordbuilder combines 24 words in form of 120 elements, consisting of full words, corresponding syllables and five True-Legato vowels (A, E, I, O, U) plus an additional “Mmmh“-articulation.

As in all Tarilonte vocal-libraries, Mystical offers the brilliant and innovative option to combine each word with any of the five True-Legato vowels. This way, realistic sounding vocal phrases can be created without using ready-made phrases.

Nevertheless, Mystica can of course be used as a typical choir-library without its wordbuilder. There is an ample choice of 100 Gregorian vocal phrases, allowing to create sacral atmospheres with ease. In addition, the library offers twelve soundscapes being formed from vocal recordings as well as vocal effects to create unusual sounds.

Mystica Features:

  • unique „Numen Ensemble“ female choir with eight vocalists
  • 5 GB WAV samples, 24 bit/44.1 kHz
  • NI Kontakt Player license included – no further sampler required
  • created with Kontakt 5.3.1
  • 5 “True Legato” vowels (A, E, I, O, U), separate “Mmmh”-articulation
  • powerful wordbuilder with 24 words and three different articulations (staccato, fast, slow)
  • words can be separated in 120 short words/syllables
  • combine words with True-Legato vowels – automatic vowel selection
  • 100 Gregorian vocal phrases
  • 12 soundscapes, moulded from vocal recordings
  • additional vocal effects
  • new import/export functions to exchange wordbuilder-patches between Mystica and Cantus
  • dry recordings, perfect to be spiced up with individual reverberation 

Mystica comes with the latest  NI Kontakt Player 

Mystica, Female Chamber Choir                       MSRP   € 199.-       $ 229.-       £ 159.-

Available as download as well as boxed”

http://www.bestservice.de/en/mystica.html     

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FabFilter releases FabFilter Pro-Q 2 equalizer plug-in

Pro-Q-screenshotAMSTERDAM, The Netherlands, August 28, 2014: FabFilter is proud to announce availability of FabFilter Pro-Q 2, a major update to the Pro-Q equalizer plug-in. New features — such as Full Screen mode, unique Natural Phase processing, Auto Gain, Spectrum Grab, Gain-Q interaction, and slope support for all filter types — make Pro-Q 2 a cut above its predecessor in every way, while staying true to the original vision of combining high sound quality with unsurpassed interface workflow.
Completely redesigned EQ engine
For Pro-Q 2, FabFilter has completely redesigned the internal filter engine from the ground up — not only improving the existing Zero Latency and Linear Phase processing modes, but also introducing a unique Natural Phase mode. Besides perfectly matching the magnitude response of analog EQ’ing, Natural Phase also closely matches the analog phase response, without introducing noticeable pre-ring or a long latency. Last but not least, FabFilter Pro-Q 2 is more than twice as CPU-efficient as its predecessor.
Universal filter slope support
Very steep filter slopes of up to 96 dB/octave are now available, and, uniquely, FabFilter Pro-Q 2 lets users change the slope of any filter type — not just the usual Low/High Cut filters. This makes it possible to create super-narrow bell filters, very steep or gently sloping shelves, and more. In addition to the existing Bell, Low/ High Shelf, Low/High Cut, and Notch filters, Pro-Q 2 also features new Band-Pass and Tilt Shelf filter types.
More interface innovations
Furthermore, FabFilter Pro-Q 2 is boosted by an abundance of user interface innovations. Spectrum Grab enables users to directly adjust peaks in the real-time spectrum analyzer display. Pro-Q 2 offers flexible interface resizing, in addition to a Full Screen mode that makes it easier than ever to do ultra-precise adjustments. EQ Match lets users match the spectrum of another track in just a few seconds. All this power is neatly integrated into a gorgeous, uncluttered interface that lets users focus freely on music and workflow.
Original and trailblazing
Of course, Pro-Q 2 features everything that was great about the original Pro-Q — up to 24 EQ bands, innovative interface with unsurpassed workflow and multi-band selection, per-channel EQ’ing in L/R or M/S mode, real-time spectrum analyzer, intelligent solo mode, double-click text entry, stereo/mono plug-ins, Pro Tools hardware surface support — as well as all the trailblazing FabFilter bells and whistles that users have come to expect and love — perfectly fine-tuned knobs and controllers, GPU-powered graphics acceleration, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization, and more.
Key features:
 
  • Natural Phase mode to perfectly match the magnitude response of analog EQ’ing while also closely matching the analog phase response, without noticeable pre-ring or a long latency
  • Full Screen mode for super-precise adjustments
  • Spectrum Grab — just grab and adjust a peak in the real-time spectrum analyzer right away!
  • Universal slope support for all filter types — for example, enabling users to make ultra-narrow bell filters or very steep shelves. (Slopes up to 96 dB/oct are now supported, including 18, 30, 36, and 72 dB/oct.)
  • Highly improved Linear Phase mode, offering a better magnitude response and smooth changes without zipper effects
  • New EQ filter types — Tilt Shelf and Band-Pass, in addition to the existing Bell, High/Low Cut, High/Low Shelf, and Notch filter shapes
  • Gain-Q interaction option: when enabled, Q and gain influence each other in a pleasant way that is often found in analog mixing consoles
  • EQ match feature to automatically match the spectrum of another track via the side-chain input
  • Auto Gain automatically adjusts the output gain to compensate for the audible gain loss or increase introduced by the active EQ bands
  • Improved spectrum analyzer with adjustable range, tilt, freeze, and horizontal zooming
  • Optional piano roll display
  • Flexible interface resizing
  • Full output level meter
  • Phase Invert option
  • Highly improved CPU optimization: Pro-Q 2 uses less memory and is more than twice as efficient as its predecessor!
  • Improved analog magnitude matching in Zero Latency mode
FabFilter Pro-Q 2 is now available for EUR 149, USD 199, or GBP 124, supporting both Windows and Mac OS X in VST and VST 3, Audio Units, AAX, RTAS and AudioSuite plug-in formats. Bundles with FabFilter Pro-Q 2 and other FabFilter plug-ins are also available at: www.fabfilter.com/shop
 
Existing FabFilter customers can purchase or upgrade to Pro-Q 2 with very attractive discounts by logging in to their online user account at: www.fabfilter.com/myaccount
 
System requirements on Windows are either Windows 8, 7, Vista or XP and a VST 2/3 host, or Pro Tools, or Mac OS X 10.5 or higher with Intel processor and an Audio Units host, VST 2/3 host, or Pro Tools. Both 32-bit and 64-bit hosts are supported.
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