Patchbanks Press Release – Low End Theory vol. 1

lowendtheoryvol1_250x250Low End Theory vol. 1

Patchbanks presents a new series of classic samples for Hip Hop producers in search of tasty down-tempo melodies and licks to sample or remix. This collection offers 25 original royalty-free compositions with a mellow-deep sound theme; including instrument recordings of vintage pianos, organs, rhodes, clavinet, strings, vintage synths, live bass and guitars, plus many more classic sounds that have been fully mixed and are ready for sampling. This is a true collection that was inspired and dedicated to the sounds that started it all.

  • Compositions: 25 Samples (Mixed Stereo)
  • File Type: Wav
  • Music Styles: Hip Hop, Classic, Soul
  • Price: $19.95

For demos and product info please visit www.patchbanks.com

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Richard Preston Presents: Tombongo Funk Sessions

funksessionsMPC-Samples.com is proud to announce the release of Richard Preston Presents: Tombongo Funk Sessions‘, 87 live, old school funk drum breaks performed by UK drummer Richard Preston. Authentically recorded at Gizzard Studios, London using vintage drums and microphones directly onto 2 inch tape, every break in this collection is completely original and royalty free.

In addition to the main mixed stereo wav file, each break is presented with four multitrack stems taken from the four mics used in the original recording; kick mic, snare mic, and left and right overheads (348 multitrack files in total). This gives you complete control over each main element in the break, allowing for further adjustment of mix levels as well as applying selective eq and effects to specific instruments. The stems are also great for chopping out individual hits.

The breaks are organised by tempo ranging from in 65 to 130 BPM and have all been renamed using ‘MPC Friendly’ filenames to ensure hassle-free loading into any MPC. Just load up the main break file and chop away, or assign each of the multitrack stems to its own pad and MPC sequencer track. Also fully compatible with any DAW – simply drag and drop the stems directly onto audio tracks.

Tombongo Funk Sessions - a unique source of original, authentic live funk drums. Available to download instantly after purchase. 

Equipment List:

 

  • Recorders: Studer A80 2″ 16 Track Tape Machine
  • Digitising: RME Fireface 800
  • Desk: Alice Stancoil, 1970′s Quadraphonic desk
  • Mics: Coles 4038, Calrec 600, shure 545 , Calrec CM 100, 10” speaker
  • Drums:1966 Ludwig Superclassic, Ludwig 400/Black Beauty, vintage Zildjian A’s and K’s

 

Tombongo Funk Sessions is available as an instant digital download from MPC-Samples.com for a special launch offer of $9.99.

 

For more information, including free sounds from the pack and a video of Richard during the original recording session at Gizzard Studios, please go to http://www.mpc-samples.com/product.php/210/richard-preston-presents-tombongo-funk-sessions/

Technical Specifications

  • Samples: 87 WAV drum breaks, 348 multitrack stems (kick mic, snare mic, left and right overhead mics)
  • Format: WAV
  • Compatibility: Work with all MPCs and DAWs
  • Publisher/Sound Design: Tombongo
  • License: Royalty Free
  • Download Size: 292MB
  • Delivery: Download instantly after purchase.
  • Price: $9.99
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Native Instruments launches ‘Cloud 9′ – a limited time offer on MASCHINE Expansions

NI_Cloud_9_Sales_SpecialBerlin, May 13, 2013 – Native Instruments today launched a special ‘Cloud 9′ offer on their MASCHINE Expansion series. Nine of the hugely popular sound packs for use with MASCHINE and MASCHINE MIKRO are being offered for $ 99 / 99 EUR – but only for a limited period of 99 hours. The offer runs until 3 pm CET on Friday, May 17 and is available only at the NI Online Shop.

MASCHINE Expansions provide users with tailored kits, instruments, sounds, patterns, and presets for use in MASCHINE and MASCHINE MIKRO. Many of the Expansions were created in collaboration with high-profile and renowned artists such as Steve Lawler, Amp Fiddler, and Goldbaby. The Expansions included in this offer are DROP SQUAD, RAW VOLTAGE, PLATINUM BOUNCE, DARK PRESSURE, CONANT GARDENS, VINTAGE HEAT, TRANSISTOR PUNCH, ELECTRIC VICE and TRUE SCHOOL. These Expansions have been selected to provide a wide range of contemporary production styles, allowing users to mix and match sounds to create their own signature sound. Each focuses on a particular genre or sound, covering dubstep/bass music, electro house, electronica, urban pop, techno, soulful beats, and more.

The ‘Cloud 9′ sales special is available at the NI Online Shop only, and ends at 3 pm CET on Friday, May 17, 2013.

Additional information on this offer is available at:
www.native-instruments.com/cloud9

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Waldorf boosts Rocket synthesizer with free iOS app

Rocket Control 1BAD NEUENAHR, GERMANY: high-quality synthesizer developer Waldorf is proud to announce availability of Rocket Control, a free iOS assistant app for iPad that boosts the capabilities of its Rocket hardware synthesizer…

Earlier this year, Waldorf went hell for leather to break the price/performance sound barrier when launching its revolutionary Rocket, a superficially simplistic USB-powered desktop synthesizer with digital waveforms and analogue multimode filter housed in a sturdy, compact and bijou (185 x 185 mm) casing. But beneath an eye-catching faceplate designed by synthesizer style guru Axel Hartmann lies a wealth of ear-opening sounds fit to reach for the stars! To the untrained eye it may look like the Rocket only offers a single oscillator, but truly trained Rocket scientists can soon see (and hear) that its OSC section includes some highly-flexible features: for example, selecting the sawtooth waveform switch then turning the adjacent Wave knob clockwise from the centre position adds up to eight sawtooth waves — wunderbar for producing PolySaw cluster-type sounds; selecting the sawtooth waveform and turning both the Wave and Tune knobs to their respective rightmost position activates a special unison mode whereby all eight sawtooth oscillators sound with frequencies according to the held notes, so playing a chord with up to eight notes results in that chord being played by all eight oscillators, whereas playing a single note produces just that — a single note, albeit with all eight oscillators slightly detuned to enrich the sound. Either way, it’s a big sound from a little box with much more on offer besides! Blast off by selecting Boost to add warm, distorted characteristics, perhaps?

But hitting an attractive price point while maintaing Waldorf’s all-important high-quality synthesizer sound meant making some tough design decisions. Rocket has no patch memories, for instance — no great loss to those creative types who like to sculpt sounds each and every time they play, but useful nonetheless in an age of instant recall.

Which is exactly where Rocket Control comes into play. This free iOS assistant app for iPad acts as a synth editor for the Rocket and allows users to edit and/or save their patches (when connected via a Camera Connection Kit, WiFi MIDI, or a CoreMIDI-compatible device). Edits can be viewed onscreen or edited directly on the iPad itself. Users can even play the Rocket using the Rocket Control keyboard — plus Pitch and Mod wheels!

What’s not to like? Rocket Control is invaluable and free! So do yourself a favour and give your Rocket a sonic boost by heading on over to Apple’s App Store and downloading Rocket Control… then reach for the stars!

iPad owners can directly download Rocket Control from Apple’s App Store for free.

The Rocket synthesizer is available to purchase from Waldorf dealers worldwide with an RRP of €244.00 EUR/$349.99 USD (excluding tax).

 

Rocket can be seen and heard in an official product demonstration video here: http://www.youtube.com/watch?v=WNuXiR0ozFY

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Yellow Box Studios can hear clearly now with SCM300ASL PROs

Yellow-Box-Studios-ATC-Hi-Res“The response has been mind-blowing — even more so from the audio professionals that have set foot in the room.”

- Rennie Gomes (Managing Director, Yellow Box Studios, Singapore)
SINGAPORE: specialist British loudspeaker drive unit and complete sound reproduction system manufacturer ATC is pleased to announce that Yellow Box Studios, Singapore’s largest and most highly-awarded audio post-production facility, has installed a top-of-the-range pair of SCM300ASL PRO three-way active series loudspeakers in its new no-expense-spared music production and recording facility…
The music production and recording facility is also meant to cover our post-production needs as we do quite a lot of music recording and ADR for our films and commercials.” So says Yellow Box Studios Managing Director Rennie Gomes, a go-getting, multi-tasking individual who is also actively involved as a sought-after sound designer and composer at the company he co-founded back in 1995. Backtracking further still, Rennie reveals, “Singapore was already a hub for post-production back in the ’90s, and, even before setting up Yellow Box, I already had a good pool of clients from around the region. So setting up in Singapore was a natural choice, given its strong infrastructure and economy.”
With a city centre-sited state-of-the-art studio and office to its company name, Yellow Box Studios set about producing soundtracks for feature films, television drama series, and television commercials with much success — so much so, in fact, that the decision was recently taken to expand its base of operations to include a new music production and recording facility housing a dub stage and one of Singapore’s largest recording rooms in a light industrial unit within a stone’s throw of Changi International Airport. Arguably a risky business move in today’s rapidly changing climate, surely? “You can’t hear a thing in any of the rooms, so all credit to the designer — who, coincidentally, created one of the rooms at Abbey Road — and an amazing building contractor,” Rennie responds, semi-seriously, before adding: “We were all aware of the challenging times the music industry is going through, but we knew we could make it work if we diversified the use of the room. Singapore doesn’t have many large recording rooms anymore, which puts us in a good position to record 30-piece string arrangements or a 60-strong choir, both of which we’ve already achieved since opening.”
Both studio and control rooms are suspended on floating floors with fully-ducted, acoustically-dampened, ultra-quiet air-conditioning. Professional as that may sound on paper, making that control room sound professional in reality involved installing some premier professional audio equipment, evidently. At its heart is a discrete analogue mixer designed by one of the most trusted names in pro audio, perfectly partnered with industry performance overachiever ATC’s flagship SCM300ASL PRO three-way active professional series loudspeakers as its main monitoring system. “They were highly recommended by one of my senior engineers,” explains Rennie. “We had heard a pair in another facility and were very impressed.”
And first impressions can count now more than ever in today’s tightly-constrained recording world, which is exactly why those SCM300ASL PROs have been paying dividends for Yellow Box Studios from the get-go: “The response has been mind-blowing — even more so from the audio professionals that have set foot in the room. In this day and age of huge compromises in sound production, because of tight budgets, we are proving that paying a little more does, indeed, go a long way. Engineers and musicians are bringing in their favourite mic pres, amps, and other gizmos to test in our room, and they’re amazed at the results. We’re finally able to do large-format recording, helped by having the SCM300s in a room that best compliments their sound, because being able to hear an accurate bottom end matters so much when you’re doing large string sessions and band recordings. In a sense, we are bringing back the romance of a great recording experience without any compromise — sort of a dying art, really.”
Reasons Rennie: “As for the music scene in Singapore and the region in general, let’s just say we’re still optimistic as we’ve already had some amazing compliments about the recording room and how accurate everything sounds, which is exactly what we were striving for in the first place.”
Thanks to ATC’s SCM300ASL PRO three-way active professional series loudspeakers, what sounds good for Yellow Box Studios is also a good thing for its host nation, it seems: “Singapore has never really had a state-of-the-art facility for audio like this one, where film and music are merged. We foresaw this convergence of media a long time ago, and now music and picture are prevalent in all interactive and traditional media, so having such a facility also attracts mid-level to high-end projects to our shores as more and more projects we work on are for an international audience. There’s always a certain kind of magic that happens when I see film producers and directors meet with bands and music producers in the same building. I think it’s called… collaboration!”
Speaking of which, Yellow Box Studios’ collaboration with ATC was also deemed a resounding success at an all-important installation level, too. “The installation went very well,” wraps up Rennie on another uplifting note. “It was basically a case of set up and go, with not many tweaks needed as the system suits the room so well.”

That it does. And, as a direct result of that fateful first listening session and subsequent sizeable installation investment, Yellow Box Studios can hear clearly now and forevermore with their new ATC300 ASL PROs.

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Arturia unveils KeyLab keyboard controller range at Musikmesse 2013

analog labratory“Analog Lab has it all… killer sounds, and an intuitive and easy way to dial up anything I could possibly need.”

- Junkie XL, 2013 (musician and remixer)

GRENOBLE, FRANCE: music software and hardware company Arturia is proud to launch its KeyLab range of professional-grade MIDI keyboard controllers with all-new accompanying Analog Lab synthesizer software at Musikmesse 2013…

As implied by name, KeyLab 25 features 25 keys with velocity sensitivity for performance flexibility. As such, it’s the smallest, most lightweight, and simplest member of this trio of professional-grade MIDI keyboard controllers, ideally suited to travelling musicians, mobile music producers, and performance-orientated DJs alike. Complimenting that full-size keyboard is a feature-packed panel bristling with controls, including two clickable encoders; 12 encoders; nine sliders; pitch bend and modulation wheels; six backlit transport controls; 15 backlit buttons; octave up/down buttons; and an informative 32-digit LED screen to enrich the performance experience and aid speedy software navigation. Its rugged aluminium construction with eye-catching wooden end cheeks combine to heighten its status as a highly-capable controller compatible with any third-party software and hardware, helped by the bundled MIDI Control Center software. Rear panel-mounted MIDI IN, MIDI OUT, Expression Pedal, Sustain Pedal, Aux foot switch, Breath control, and USB connections complete communication with the outside musical world.

The larger KeyLab 49 and KeyLab 61 MIDI keyboard controllers maximise performance and expression further still, thanks to their respective 49- and 61-note full-size keyboards boasting both aftertouch and velocity sensitivity, and are designed to easily integrate into any studio or stage setup. The bigger is better maxim again comes into play here as KeyLab 49 and KeyLab 61 feature an even more extensive set of physical controls with an additional 16 backlit pressure-sensitive pads — perfect for beat-making purposes or triggering chords.

KeyLab 25, KeyLab 49, and KeyLab 61 all come complete with an all-new version of Arturia’s Analog Lab synthesizer software solution. With all-important parameters pre-mapped to the MIDI keyboard controllers themselves, users have hands-on, instant control over the huge library of 5,000 presets by internationally-renowned sound designers. These presets are taken from all eight of Arturia’s acclaimed TAE® (True Analog Emulation) synthesis-powered Mini V, Modular V, CS-80V, ARP2600 V, Jupiter-8V, Prophet 5, Prophet VS, and Oberheim SEM V soft synths, as well as the Wurlitzer V software recreation of the classic Wurlitzer 200A electric piano, providing the immediacy of a hardware synthesizer with the flexibility of a software-based solution. Moreover, Multi mode allows several sounds to be played simultaneously with the addition of effects, layer/split functions, and a Chord mode — perfect for getting the most out of those TAE® soft synths without having to delve deeper into sound design. And with 200 Multi patches conveniently organised by musical genre, inspiration and creativity are a given, thanks to Analog Lab!

 

25, 49, or 61 keys; velocity sensitivity or velocity sensitivity and aftertouch; beat-making or breath control… whatever your performance preference, there’s a KeyLab MIDI keyboard controller to suit with Analog Lab to boot. Let your musical ideas flow forth with the greatest of ease with these superb-sounding software/hardware hybrid synthesis combos!

KeyLab 25, KeyLab 49, and KeyLab 61 will soon be available to purchase from Arturia’s online store (http://www.arturia.com/evolution/en/buy/online-shop.html) or any authorised Arturia dealer.

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Native Instruments Introduces KAOZ THEORY Expansion for iMASCHINE

NI_Maschine_Expansion_Kaoz_TheoryNative Instruments today launched a new range of iMASCHINE Expansions with the release of KAOZ THEORY – created by the much-lauded DJ and producer Kerri ‘Kaoz’ Chandler. These new iMASCHINE Expansions will be created in collaboration with internationally renowned artists from different genres, and will be available for iMASCHINE only. Users can however export their iMaschine projects to the MASCHINE software for further editing and arranging. Native Instruments will continue to release compact iMASCHINE versions of their acclaimed iMASCHINE Expansions.

“iMaschine is my favourite app to use on the road”, comments Kerri Chandler. “If something comes to mind for a track it’s an instant fix wherever I am.  When I’m in hotels I swap my ideas to MASCHINE MIKRO and back again and when I finally get home to mix in my studio on my own mixing desk, I can swap it all to MASCHINE and it’s a piece of cake. Honestly, I’ve written tracks with iMaschine right off the bat. In fact airplanes are my favourite place for iMaschine so I’m now working on an EP called ‘Mile High Club’ because of it. On top of all of this, it’s an exciting live tool to work with, particularly when I’m DJing, so it’s something I’m really passionate about.”

KAOZ THEORY brings the unmistakable sound of Kerri Chandler to iMASCHINE – the deep, grooving house style that has made him one of the most respected artists on the underground scene for over 20 years. The Expansion contains a total of six kits, two instruments and two full projects. The three Drum Kits are made up of gritty, analog kicks, snares, hats, and claps. A Melodic Kit provides the trademark Chandler synth chords while two Special Kits deliver basses, vocal samples, synth stabs and keys. iMASCHINE users can also access two instruments and two full iMASCHINE projects created by Chandler himself. All the samples are provided in uncompressed WAV format (16-bit 44.1kHz) and have been processed and tweaked for immediate use.

KAOZ THEORY is available for iMASCHINE in the in-app store for $0.99 / 0,89 EUR.

Additional information on KAOZ THEORY is available at:
www.native-instruments.com/imaschineexpansions

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